The 45th anniversary of Rush's "Permanent Waves" album is being celebrated by the syndicated radio show In The Studio With Redbeard: The Stories Behind History's Greatest Rock Bands.
Redbeard shared this synopsis for the episode: We may not have realized it as The Eighties dawned in January 1980, but the Permanent Waves that were emanating from Rush's latest then were indeed indelible. For the first time, the majority of America's rock radio stations relented in their resistance to the Toronto trio's brand of brainy hard rock and tattooed the airwaves with "The Spirit of Radio", "Free Will", and tasty predecessors "Closer to the Heart" and "The Trees". Geddy Lee, Alex Lifeson, and archival comments from the late Neil Peart are all part of the Permanent Waves forty-fifth anniversary.
Four years before the dawn of MTV and almost two decades before the internet revolutionized the music industry, Rush sold more than a million copies of their 1978 Hemispheres album and sold out 10,000-seat arenas, primarily on word-of-mouth and relentless touring. But I, for one, was continuing to get considerable pushback from powerful media consultants NOT to play Rush on the radio in the US, and these same guys influenced over a hundred big-city stations back then to do likewise. But with the January 1980 release of Permanent Waves, containing "The Spirit of Radio" (a fond nod toward the intrepid support from hometown Toronto radio) and "Free Will", the shut out was finally broken up by Rush hitting a home run.
By the time these classic rock interviews occurred I had already interviewed Rush bass guitarist/singer Geddy Lee twice before, so I was reasonably confident on what to expect. Regarding his earliest recollections of music while growing up, imagine my shock when Lee (family name Weinrib) matter-of-factly answered my first innocuous question by replying," I came from a family of immigrants, basically. My parents survived the Holocaust in Poland, and then married after the war and moved to Canada. I was brought up in a household that had survived turbulent times, to say the least, so there was a total rebuilding in a new country, in a new culture, & trying to adapt. Music wasn't a prevalent and over-riding thing in our family."
I was stunned. There was nothing in any rock reference book or band biography then to prepare me for this revelation. The enormity of what Geddy Lee was saying, in a measured but sober tone, left me speechless. It felt like an eternity before I regained my composure enough to continue the conversation. Everything I had prepared to ask Lee, guitarist Alex Lifeson, and drummer/lyricist Neil Peart about Rush's musical career struggles suddenly seemed so trivial, so inconsequential. Since then I have tried to keep some perspective on the relative importance of this rock'n'roll game in the search for real truth, real meaning in life. And now with the passing of Neil Peart, it is apparent that no one, not even the author of "Time, Stand Still", can do so.
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